Ian Homerston

Untitled
2012
Acrylic, photographic emulsion, varnish, gesso on canvas
82 x 66 cm
Untitled
2012
Acrylic, photographic emulsion, varnish on canvas
82 x 66 cm
Untitled
2012
Acrylic, photographic emulsion, varnish on canvas
82 x 66 cm
Untitled
2012
Acrylic, photographic emulsion, varnish on canvas
82 x 60 cm
Untitled
2012
Acrylic, photographic emulsion, varnish on canvas
82 x 60 cm
Untitled
2012
Acrylic, photographic emulsion on board
40 x 30 cm
Untitled
Acrylic, photographic emulsion, varnish, gesso on canvas
46 x 36 cm
Untitled
2012
Acrylic, photographic emulsion, varnish on canvas
41 x 36 cm
Untitled
2012
Oil, acrylic, varnish and gesso on canvas
87 x 71 cm
Untitled
2012
Oil, acrylic, varnish and gesso on canvas
65 x 45 cm
Losses/Gains
2012
Oil, acrylic, varnish and gesso on canvas
61 x 51 cm
Rake
2011
Oil, acrylic, varnish, gesso on canvas
66 x 51 cm
Broadcast
2011
Oil, gouache, varnish, gesso on canvas
40 x 45 cm
Archive
2011
Oil and acrylic on canvas
46x36cm
Outsides
2011
Acrylic on canvas
40.5x35.5cm
Untitled
2011
Acrylic on canvas
51 x 41 cm

Bio

B. 1984

Lives and works in London

Education

2007 – 2009 MA Painting, Royal College of Art
2004 – 2007 BA Hons Fine Art (Painting), Wimbledon College of Art

Exhibition History

SOLO:

2012

Cole, London

GROUP:

2011

Young London, V22 Workspace, London
What If It’s All True? What Then? (Part II), Mummery + Schnelle, London
Needed By Things, Furnished Space, London

2010

New Contemporaries 2010, A Foundation, Liverpool/ ICA, London
The Drifting Canvas, Cole, London
Monochrome Rainbow, with James Iveson, Simon Mathers, curated by Karina Joseph, Chapter One, London

2009

Time is a Sausage, Domo Baal, London
Through The Wall, Rochelle School, London
We Can Understand The Meaning Better Without, St. Pancras Church Crypt, London

2008

John Moores 25, Walker Art Gallery, Liverpool